| Respect @ THC - 04.25.09 |
[16 Apr 2009|08:41pm] |
RESPECT
Saturday, April 25, 2009
featuring
BRIAN KAGE
Beretta Music / Echospace / Detroit
12:30a - close
CODINE
Blank Artists / Detroit
10:30p - 11:15p
JOHN JOHR
Paxahau / Detroit
11:15p - 12:30a
more to come.
Trowbridge House of Coffee
10241 Jos Campau
1 Block South of Caniff
Hamtramck
www.thc313.com
Doors @ 9p . $5 all night . 21+
http://www.detroitluv.com/index.php?topic=51965.0
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| Craig Sopo mix / free download |
[17 Feb 2009|02:50am] |
http://blankartists.blogspot.com/2009/02/craig-sopo.html
Fader 2 (unreleased) – Craig Sopo – More or Less
Royal House (De Stijl Mix) – Gui Boratto
Muggy (Original Mix) – N3sh
Modules (unreleased) – Craig Sopo – More or Less
Blue Room (Brian Kage Remix) – Codine
Funky Fromage – Someone Else
Reborn – Walter J
Tin Soldier – Red Robin & Jakob Hilden
Coded (Unreleased) – Craig Sopo – More or Less
Delayed Spektrum – A. Vemina and G. Lopedote
Conscious Movement (Marcus Meinhardt Mix) – Harada
Do The Do – Robotman
Lokomotiv – Moratto vs. Barbato
Polyform – Gerome Sportelli
Physical Attraction (Original Mix) – Djak Unit
X-Talk – Joshua Harrison
Don’t Panic Till I Said So – Audiofly X
This is Acid – Tim Cook
Gypzum – Jeff Bennett
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| BLNK-13 - V/A - Primates Love Fun - Blank Artists - Cummings, Dahlberg, Codine |
[14 Jan 2009|06:50pm] |
Artist: Various
Title: Primates Love Fun
Label: Blank Artists
Format: Digital
Cat.No.: BLNK-13
Release date: 13.01.2009
Tracklisting
01 Josh Cummings - Morning Birds
02 Josh Dahlberg - Cut and Run
03 Codine - Eleven Evergreen
Primates Love Fun is the second installment of the sporadic but ongoing Loves Fun compilation series from Blank Artists. The series explores the idea of electronic music sans ego; in a fictional world where the only thing that matters is that you love fun. For this installment we bring back our two favorite Joshes; Cummings and Dahlberg as well as label mainstay Codine.
Cummings’ track Morning Birds sets the tone with dream-evoking textures and delayed chirps typical of a Midwestern American spring or summer morning. Rich, thick synth arpeggios drive the track, making it as danceable as it is cognitively captivating.
Dahlberg’s contribution to the compilation, Cut and Run, is a bass-heavy roller, which is accentuated by delayed synth attacks and heady rhythms. This track is a serious moody floor stomper.
Eleven Evergreen is a nod to classic EBM while simultaneously stepping forward, further cementing the sound that makes up Erik Cronin’s Codine moniker. Coming off of the acclaimed Blue Room EP, we felt compelled to give the people what they want; more Codine.
Purchase + Preview:
Blank Artists Webstore
iTunes
Amazon
More Info at www.blankartists.com
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| BLNK-11 | Codine - Blue Room | Digital | 11.18.08 |
[18 Nov 2008|04:03am] |
“Blue Room” is a popular release from The Orb to be sure and, yes they are living legends in their own rite. However Blue Room is also the sophomore release from Codine on Blank Artists and, for our purposes here, that’s what we’re concerned with. First you’ll notice the elements: the perfectly placed percussion, sensual synth subsets, and energy that uniquely make the sound of Erik Cronin’s Codine moniker. As an extension of that sound, the originals on this release epitomize those aforementioned characteristics but in uniquely nondescript ways. So what do you do when you have two tracks that utilize two distinct modes of operation to make dance floors jump off? Get two equally talented but very different remixers to offer their interpretations of the songs, of course.
Cue now Brian Kage and Jared Wilson. Two very different individuals with two equally unique perspectives on dance music. Brian’s remix of Blue Room is a heightened version of the original, serving up a huge bass line and rich textures certain to send you into a groove that’ll be making you beg for a rewind. In other words, this is a serious floor burner that has seen position in top DJ’s playlists all over. Jared’s mix of Background Music is an “analog-centric” endeavor that chugs on through systematically adding and subtracting synth patterns, making it heady and intoxicating.
http://blankartists.com/blnk11.html
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| Codine in Real Detroit Weekly |
[07 Oct 2008|12:45pm] |
The Electorate
by Adriel
Erik Cronin, also known as Codine, grew up in Detroit’s Downriver community. The young Cronin learned piano from family members, which laid the foundation for his classical training in bass and guitar. He soon found inspiration in the irresistible electronic music emanating from Detroit in the early-to-mid-'90s. “Instead of spending my time practicing with bands, I was programming drum machines and sequencing synths for hours every day,” says Cronin.
After a brief stint working security for St. Andrew’s Hall, Codine worked in promotions for Mission: Detroit. Through that organization and DetroitLuv, Codine’s music was introduced to a wider audience. Inspired by IT, Cronin created an alias for his electronic productions, borrowing the name of a computing/distributing system called Codine (not to be confused with the drug codeine) and began releasing music on various labels.
In 2008, D Records released a Beatport-exclusive digital track on The Melting Point compilation. His upcoming release, Blue Room, comes out in November and features remixes from Jared Wilson and Brian Kage.
You can catch Codine this Friday at the Park Bar in Detroit. | RDW
http://www.realdetroitweekly.com/content/article_4677.shtml
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